Cast & Creative
Sarah Alice Shull
Actress • Writer • Co-Producer
Sarah Alice Shull (she/her) is an NYC based actor, writer, and creator. She has been seen in off and off-off Broadway productions, readings, and workshops at venues such as Playwright’s Horizons, Joe’s Pub at The Public Theater, The Flea Theater, The Sheen Center, The Tank, and The Kraine Theater Sarah Alice is a UCBNY Comedy school alum, and she was a part of the inaugural class of Freestyle Love Supreme’s improv/musical improv academy at Ars Nova. She was a member of the BARS program’s 5th cohort at The Public Theater. Sarah Alice is a former Bat, a Resident Acting Company member, at The Flea Theater, and a founding member of The Fled Collective.
Sarah Alice’s passion for performance extends into writing and producing. Her original web series called “Sassy and MK's Days of Fun” can be found on YouTube; her 10-minute play, Guilt, premiered as a part of The Tank Theater’s Limefest; her Lesbian Pickleball 10-minute premiered at the inaugural Sapphest last year. Her original work has also been featured as a part of The Wilma Theater’s Open Mic Series, Flea Fridays, The BARS program, AMIOS, and CyberTank. Her solo show, Something To Believe In, completed a successful month run at the Edinburgh Fringe Festival in August 2024.
Erin Reynolds
Director • Co-Producer
Erin Reynolds (she/her) is a NYC-based, Kentucky-raised, director who specializes in new work. She has directed at the Atlantic Acting School, Eugene O'Neill Theater Center, Brooklyn College, The Tank, The Flea, Emerging Artists Theatre, and with Normal Ave. Erin recently directed and developed Something To Believe In by Sarah Alice Shull which was highly praised at the 2024 Edinburgh Fringe. Assistant director credits include Of the Woman Became Sin and Through Her We All Die by Lily Houghton (dir. Kylie Brown).
Rachel Ackerman
Executive Producer
Rachel Ackerman is a New York based producer and arts administrator. She currently works on the producing team at Williamstown Theatre Festival, where she supports institutional strategy, cross departmental initiatives, and the development of new artistic pipelines. As a producer, she is drawn to work that is politically urgent and deeply human, She was the Executive Producer on the benefit reading of little lives starring Cynthia Nixon and Susan Sarandon at The Public Theater. Rachel holds a BFA in Stage and Production Management from Syracuse University and is passionate about building sustainable, artist centered ecosystems.
Jen Beck
Producer
Jen Beck (she/her) is an NYC based artist with a focus in acting and producing comedy specials and theatre. Acting credits include, 60/40 (New York Theater Festival), I Am Jonathan (Available Light Theater Company), Night of the Touching Zombies (Theatre at St. Clements) and various characters written and performed by Jen (UCB, The Pit, Magnet). Producing credits include, Michael John Ciszewski: TGIF (Testing Gay Ideas, Funny!); StandUp NY Presents: Julia Scotti: Funny That Way, directed by Susan Sandler; Something To Believe In, directed by Erin Reynolds, written and performed by SAS (Edinburgh Fringe Festival). Connect with Jen on Instagram: @hellojenbeck
Alex Taylor
Movement Coordinator
Alex Taylor is a fight & intimacy director, actor combatant, and teaching artist based in Brooklyn. She is the resident violence & intimacy consultant for the student projects at Playwrights Downtown and is on the violence/intimacy teaching teams at NYU (Playwrights Downtown, Stella Adler), Marymount Manhattan College, and Pace University, and works with Neutral Chaos Combat and Arte Violenta. Alex is also a member of the Vixens En Garde, an all femme Shakespeare and swordfighting troupe that performs around the country. Recent credits include Rokovoko (Playwrights Downtown, dir. Arya Shahi), The Seagull (City Gate Productions), and Is God Is (Associate Fight Director, Columbia School of the Arts). alextayloractor.com and @taylorrosealex on Instagram.